The Official Newsletter of The Imaginative Cinema Society
The love of many, the work of a few....

November 2004  #70



Gellar Heads To Southland.
Much Voodoo About Nothing
Survival Of The Fiennest
Coscarelli Says Bubba Ho-Tep 2 is a Go
30 Days Moves Forward 
MINOTAUR gets gored again

By: Dava Sentz

November  5th      BIRTH     
November 12th     FINDING NEVERLAND  
November 19th     NATIONAL TREASURE 
November 24th     ALEXANDER 




Editor-Betsy Childs 
Staff Writers- Regina Vallerani, Andrew Kent John Ward
Dava Sentz, Mike Laird, Joe Plempel, Gary Roberson, Charles Wittig
Taylor Sherblom Woodward, Jim Childs, Jeanne Matcovich, Mike Schilling

ICSClubnewsClubnews All About Us ClubnewsClubnewsICS
Dave Willard presented the finale of his 2 part series on silent films.  The focus was on early Hollywood and the decline of silent films.  Many interesting facts from that night:  Cecile B. DeMille was the original riding pants/high boot wearing director that so many of the cartoons parodied.  Why that garb?  The “stages” were full of nettles.  And how many of us knew that directors often employed orchestras and bands to play motivational music for the actors?  And what may be even more surprising is what silent actors missed most of all when transitioning to the talkies…it was the sound of the photographer hand-cranking the camera…   And to top it off, Dave handed out a list of over 100 lost transitional films from the end of the 20’s – some featuring famous stars, like Lionel Barrymore, Douglas Fairbanks, Jr, and Rin Tin Tin and others featuring actors whose voices just didn’t make the cut, like Pola Negri and Rex (the Horse).
 Thanks for entertaining and informing us, Dave!!  You’ve whetted our appetites for your next presentation (2 years away?) on pre-code films. 
Lon Chaney and Joan Crawford gave amazing silent performances in Todd Browning’s THE UNKNOWN.  The film was an interesting portrayal of a criminal who hid amongst a circus troupe, masquerading as an armless knife thrower.  Complications ensue when the owner’s daughter reveals her disgust with men’s hands.  So, how can he win her heart as a fully functional male?  Check out the DVD to find the answer.
And of course, ICS feasted on the annual Halloween pot luck .  There was barbeque, wings, shepherd’s pie, sushi, mac & cheese plus genre desserts like a Brain  Mold, Eyeballs on a Stick and Zombie Cake and lots more.  THANK YOU so much everyone who brought in food or helped set up or clean up!!
Once again, ICS members competed to see who could stay up the latest during the all night movie marathon.  The die-hards viewed ZATOICHI, the uncut 2004 DAWN OF THE DEAD and VAMPIRE CIRCUS.  The person or persons who stayed up the latest will be awarded with the Plemplee Iron Man Award at the next meeting.  

So, what’s a food co-ordinator?  Someone who makes sure that food is opened in a logical order.  If we have two bottles of coke, make sure the first one is done before opening the second.  Keeping extra food either in the kitchen or in the ICS storage box until what’s on the counter has been consumed.  John Ward is in this temporary role right now – but we are looking for his replacement.  If you have good organizational skills and a dose of common sense, think about applying!  If you are interested, you know the drill - contact a board member.     

Joe Plempel is giving up his role as keeper of the equipment.  Andrew Kent volunteered to be his replacement.  This job is a very key part to the success of ICS meetings.  The equipment person must arrive early to set up the equipment, stay late for second features or all-nighters and keep the equipment safe when not transporting it to and from meetings.
Joe – Thank you for handling this job for all of these years!  You are truly a dedicated member.  Andrew – Thank you for taking on this new responsibility!  
Remember this new policy from last month’s issue?  Second features will only be shown at the January, April, July and October meetings.  Several members questioned this policy and had their say at the October meeting.  The board is going to review the policy and approach the club with a new policy at the next meeting.  If you have any ideas or comments, please contact a board member or be prepared to discuss it at the November meeting.
Coming up – another annual event - the December Yankee Swap on December 18th.  Please select a gift up to $25 in value.  There is one additional rule.  Please include either a receipt or gift slip with your Yankee Swap contribution.  In case someone receives a second copy of KILL BILL or a Jim Carrey movie, they can graciously accept it in the swap and exchange for the gift of their choice later on.  We appreciate your co-operation!  Plus, our movie choice will be ‘It Came From the Yankee Swap Table’…  So keep that in mind whilst shopping!

 Our next meeting will be held on Saturday November 20th at 5:30 P.M. at the church hall behind the Perry Hall Presbyterian Church located at 8848 BelAir Road. Take Baltimore Beltway exit 32 north on Belair Road. Turn left onto Joppa Road. Immediately past the miniature golf course turn left into the parking lot. If you miss it there are ample turn-around opportunities. If you get stuck call 443-570-6455. That's Dave Willard’s cell phone. He'll talk you in.   

  Our ICS Academic winner, John Weber plans to give us insight into the original THE MOST DANGEROUS GAME.  Given John’s knowledge of the genre, it should be a most illuminating evening. 

  2005 Calendars are now available.  The theme is big Japanese Monsters.  Steve Vaught was the first to spot the naked lady hidden amongst the monster pics.  Calendars are $15.  See Regina at the next meeting to pick up yours.  We only have 1 extra calendar, so if you didn’t reserve one earlier and want one, act fast!

  The annual ICS Election is coming up at the January meeting.  Dave Henderson, who has been on the board since day one of the club, is ending his term as a board member.  Over the past several years, he has contributed much as a board member, such as securing our current location, arriving early to set up the building, participating in all conventions, and handling reservations for the 5th anniversary bash at the Senator.  And this is just a small representation of what Hendo has done over the past 6 years.  
 The current list of candidates is: Joe Plempel, Regina Vallerani, John Ward, and Dave Willard.  If you are interested in running, please let Dave Henderson know.

  It’s time to renew your dues.  The Cost is $25 per person or $40 per couple.  Family memberships are available at $25 for the initial family member and $15 each for the second to nth family member.
 Dues can be paid in one of the following 3 ways:
Cash or Check to Regina at a meeting
Mail a check to Regina at:  
Via Paypal to ICSFILM@HOTMAIL.COM.  There is a Paypal link from the ICS Website (WWW.ICSFILM.NET).

 This is the list of people who have paid their dues.  If you have paid your dues, but are not on this list, please contact Regina at RVALLER107@HOTMAIL.COM to correct the omission.

Donna Burke
Sue Feder
Gary Roberson
Ruth Roberson
Dava Sentz
Regina Vallerani
Beth Vaught
Steve Vaught

   tvnews tvnews tvnews  TheGlassTeat  tvnews tvnews tvnews

   BLADE TRINITY writer/director David Goyer said that his upcoming drama pilot for CBS, THRESHOLD, is "a science fiction show for people who don't like science fiction." "Threshold is a TV pilot that I'm developing," Goyer said. "I'm not writing it. A young writer named Bragi Schut is writing it. ... It has to do with alien invasions, although people will never really see the aliens involved. And it's meant to be filmed in a more low-tech way, like 28 DAYS LATER or something like that: ... a way of telling a very big story in a kind of microcosmic arena."
   Goyer said that he and CBS are still waiting on a script for the pilot, which he may also direct. "We have to see how it comes in," he said.
   THRESHOLD is one of several projects Goyer is contemplating, including several SF&F movies. BLADE TRINITY, the third film in the vampire franchise Goyer has written and the first he's directed, hits theaters on Dec. 8.
   The first of three Star Trek: ENTERPRISE episodes featuring guest star Brent Spiner ranked first in ratings among men 18-49 in its premiere Oct. 29. The episode, "Borderland," drew a 1.7 rating among men 18-49 and also improved ratings for UPN in the Friday 8 p.m. ET/PT timeslot among total viewers, with an audience of 3.2 million.
   The second of the three-episode arc, "Cold Station 12," airs Nov. 5. In it, Spiner's character, the criminal scientist Arik Soong, is reunited with his genetically engineered creations called Augments, who break into a medical outpost where Soong once worked to steal the embryos of hundreds more potential Augments. The third episode, "The Augments," airs Nov. 12.
   ABC's new SF series LOST, its freshman dramedy DESPERATE HOUSEWIVES and The WB's JACK & BOBBY were among the nominees for favorite new TV drama in the 31st annual People's Choice Awards, which were announced Oct. 26. LOST’S Matthew Fox also got a nomination for favorite male TV star. Fans can vote for their favorites on the awards' official Web site; the winners will be announced in a Jan. 9 broadcast on CBS.  
   NBC's FATHER OF THE PRIDE was among the nominees for favorite new TV comedy. ABC's ALIAS took a nod for favorite TV drama, and its star, Jennifer Garner, got a nomination for favorite female TV star.

movienews movienews  Silver Screen  movienews movienews

   The latest comic book adaptation project to get the red rubber stamp of Hollywood approval is Atlantis Rising, a cult graphic novel from Platinum Studios, whose black-and-white Men In Black comic has already been plucked from near-obscurity and given the blockbuster treatment. The political sci-fi thriller Atlantis Rising envisions a future where two civilizations co-exist — one on land and one living far beneath the ocean waves. When open war breaks out between the underwater dwellers and those on the surface, the fate of the entire world hangs in the balance. 
   Producer Gale Anne Hurd, veteran of THE ABYSS, ALIENS and the TERMINATOR franchise, has taken control over the early stages of the adaptation. Platinum also is partnering with Icarus Studios to develop a massively multiplayer online game in tandem with the film. Atlantis was created by Scott Mitchell Rosenberg and written by Scott O. Brown. It belongs to what Platinum calls the same "Macroverse", which also includes COWBOYS & ALIENS set up at Sony, and UNIQUE set up at Touchstone.

   When acclaimed director Takashi Shimizu was asked to remake his own hit film, JU-ON: THE GRUDGE, Shimizu accepted the challenge, but not without some initial reluctance. "At first I wasn't interested in doing the remake, because I'd done the original and thought I was done", the director explained through an interpreter. "But Sam Raimi asked me again saying that he wanted this sense of aggression to come across in an American film plus the fact that the remake of The Ring did very well, convinced me that I should do the Hollywood remake." 
   In the new version, Sarah Michelle Geller plays an American nurse living and working in Tokyo, who is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim. Asked why he thinks Japanese horror has successfully crossed over into America, Shimizu feels that "Japanese horror is genuinely scarier than their American counterparts," he explains. "There's sophistication in Japanese scariness, of which there are two types. Japanese horror is intended to give audiences more mental scares, while in Hollywood it's more simple surprising scares. I think audiences want to be more scared than in traditional Hollywood films, and Japanese films provide those."
   Shimizu says he wants to eventually get away from horror, but is developing a horror comedy back in Japan. He doesn't rule out the idea of a return to Hollywood in the near future. Meanwhile, he hopes to scare up a storm at the box office when THE GRUDGE opens nationwide Oct. 22.

   Screenwriter Stephen Susco, whose film THE GRUDGE starring Sarah Michelle Gellar, opens in October, said that he's going to be quite busy over the next year or so. He's just finished writing a remake of the Jamie Lee Curtis scarefest PROM NIGHT for Sony/Columbia, which hopefully will hit the screens sometime around May or June next year, a film he penned called THRESHOLD is close to finding a director and he's also at work on a science-fiction epic for Warner called THE FORGE OF GOD. 
   Susco also hints that a sequel to THE GRUDGE might also be in the works. Which means Sarah Michelle Gellar won't have to 'work for food' for too much longer.

Gellar Heads To Southland
   Sarah Michelle Gellar’s next film looks likely to be Southland Tales, which was written and will be directed by Donnie Darko auteur Richard Kelly. "I had seen Donnie Darko, and I thought Richard Kelly was pretty much a genius," Gellar said. "We met and he told me this idea he had for his follow-up film."
   Gellar added that she took the role based on the original ideas in the script. "I pretty much would have said yes blindly, but it was just such a great character, and he just had so many great ideas that it was something I was definitely interested in doing. It's impossible to explain, really. If someone hadn't seen Donnie Darko, or didn't know anything about it, could you imagine trying to describe it? 'OK, it's about a boy and this imaginary bunny?' Richard Kelly's movies are so abstract that they're somewhat difficult to pigeonhole. But Southland Tales is basically [set] over a Fourth of July weekend during an election year, and it's about the chaos in the future [in 2008], and what happens to Hollywood. It's sort of a biting comment on our tabloid society. Does that work?"
   Gellar said that the film doesn't have the same kind of SF and fantasy elements as Donnie Darko, but it's still a work in progress. "Not as much as Donnie Darko. There are no imaginary talking bunnies, at least not yet. There may be talking bunnies by the time we film it." Southland Tales will be released in 2005.

   Tony Todd (CANDYMAN) isn't through with death just yet. The 49-year-old genre actor with the recognizable husky, baritone voice went a few rounds with the walking dead in Tom Savini's Night of the Living Dead remake. He's going to be aiming for the head once again in Fever Dreams' sophomore effort tentatively titled SHADOW. Currently shooting in the Philadelphia area, SHADOW features Todd in the title role, a practitioner of blood rituals whose execution sparks a prison riot that leads to the penitentiary being closed down. When it reopens 20 years later as a women's prison, an inmate gifted with both psychic and martial arts abilities senses Shadow's lingering presence—and he eventually resurrects, along with an army of flesh-eating ghouls.
   SHADOW marks the directorial debut of Derek Wan. Wan's cinematography background mostly consists of Hong Kong features like Jet Li's Fist of Legend and Once Upon a Time in China V. He's taking a little bit of that kung-fu action he's accustomed to and is applying it to Shadow which is supposedly a heavy horror/action hybrid. Actress/martial artist Carla Greene plays the heroine, with Tony Leung Siu-Hung, whose credits include Jackie Chan's TWIN DRAGONS and DRUNKEN MASTER II among many others, choreographing the action. The script is by Fangoria's Michael Gingold, based on a story by Richard Siegel, with makeup FX by Brian Spears and Peter Gerner of G&S Effects and Canadian artist Allan (WRONG TURN) Cooke. Fever Dreams made its debut with 2003's Flesh for the Beast widely distributed by Media Blasters.

   As previously reported, The Chronicles of Narnia: The Lion, The Witch & The Wardrobe is currently filming in New Zeland. Director Andrew Adamson (SHREK) recently spoke about the filming locations. Outside of the studios, the battle scenes have been shot at the huge plains and glaciers near Flock Hill, Christchurch, and scenes featuring Aslan's camp and training grounds, near Oamaru. After Christmas, some of the winter scenes will be shot in the Czech Republic and Poland because the snow is not deep enough in New Zealand. 
   Make no mistake this is a big production with a $100 million+ budget and well more than half of the film augmented with computer effects. Shooting wraps soon, but the movie will need a full year of post production as it's on such a large scale. Weta workshop head Richard Taylor, KNB makeup guru Howard Berger and VFX supervisor Dean Wright confirmed that both the film's opening wartime in Britain and the fantasy creature battle scenes towards the end have been greatly expanded upon from their short mentions in the book. The other books, especially The Voyage of the Dawn Treader have been used as guides to working out the intricate details of this world.
   The lion Aslan came up and they confirmed he'll be 99.5% CGI, though as photorealistic as technology can be these days. The other 0.5% is animatronics, but no details were revealed. The Stone table scenes are being shot right now. No voice has yet been cast for Aslan. The Beavers will be CG, over 23 different species of creatures have been created by the KNB FX guys for the film including Minotaurs and Minoboars, and Mr. Tumnus is a half man/half make-up deal. Tumnus, played by James McAvoy who's best known as the 'rising to power' son Leto II in the Children of Dune mini-series and most recently played Paul Bettany's brother in WIMBLEDON, has CG legs but his upper body will use quite a few prosthetics including a whole bunch of body hair along with horns and facial details. 
   Now, the biggest news is that the fourth book in the series Prince Caspian is already under consideration for the sequel with a writer being readied to have a go at adapting it. The film won't move past early stages until the first film comes out.

   Bryan Singer, the director who brought the X-Men to the big screen with such success over the course of two movies (and, in doing so, paved the way for the resurgence of comic book properties such as Spider-Man, The Hulk, and even DC’s Batman Begins), has jumped ship and signed a deal to direct Warner Brothers’ long-gestating Superman movie, following hot on the heels of McG’s recent departure from the project. Joining Singer on the flick will be writers Dan Harris and Michael Dougherty, who penned X2: X-Men United. No word yet if X-Men executive producer Tom DeSanto, the man who first brought the mighty Marvel mutants to Singer’s attention and was seen by many as guardian of the comics lore on-set, will join them. Filming on SUPERMAN is scheduled to start in November, in Australia. 
   The move has sent shockwaves through the film (and comics) industry. It had long been presumed that Singer was a lock to direct X-Men 3, and that he was first going to direct a remake of Logan’s Run in Vancouver later this year. Now it seems that that project is on hold, and while X3 will still go ahead, it will do so without Singer at the helm.

   Relative unknown actor Brandon Routh will be taking on the title role in Warner Bros. Pictures' Superman. Director Bryan Singer and crew are headed to Australia in November to begin production. Routh's credits include One Life to Live, Gilmore Girls, Will & Grace and Cold Case. He recently wrapped his first feature role in Deadly, starring opposite That '70s Show star Laura Prepon.
   Meanwhile, the film's screenwriter, Dan Harris, revealed new details about the plot. "He'll begin in his late 20s. He lost his powers in Superman 2 and now he has the powers back. But something has happened because he's been away for a long time," says Harris. "We're taking off from the first two Superman films with Christopher Reeve. We use his history and then move on with big twists and great special effects. He adds that they are "not going to do the origin story again. Our view is if you're over 25 years old, then you've seen the Reeve films and that's Superman to you. If you're under 25, then you watch TV's Smallville, and that's Superman to you."

   Things looked grim for X-Men 3 when director Bryan Singer and his writers, Dan Harris and Michael Dougherty left the X-MEN franchise recently, but the pieces are quickly being put back together. Simon Kinberg has been hired on as the new writer. Kinberg is quietly making a name for himself in Hollywood – and with Fox and Marvel especially. He’s already carried out rewrites on both ELEKTRA and FANTASTIC FOUR, has written xXx: STATE OF THE UNION for Sony, and is a huge comic book fan. "I'm a religious reader of the comics, and I loved the first two movies," he said. "I had a great experience with Fox and Marvel on the other projects, and when they came to me and asked me if I had any interest in X3, I was ecstatic. I grew up on them, and I love these comics, and it's exciting to take a whack at making the third the biggest and best in the trilogy; it's our RETURN OF THE KING.”
   Fox is now beginning to press ahead with making deals for those members of the X-cast whose deals ran out after two movies. That group includes Patrick Stewart (Professor X), Ian McKellen (Magneto), Halle Berry (Storm) and James Marsden (Cyclops). The likes of Alan Cumming (Nightcrawler), Famke Janssen (Jean Grey), and Rebecca Romijn-Stamos (Mystique) signed their lives away for three movies. Fox has yet to appoint a director, but they’ve announced a Summer start date, in order to make a May 2006 release date.

   TROY screenwriter David Benioff has signed on to pen the WOLVERINE spin-off. It’s early days yet, so there’s no word on the plot, or indeed whether the movie will feature any other returning X-Men, but it is thought that X3 and Wolverine will shoot virtually back-to-back. Hugh Jackman is expected to return as the adamantium-boned, memory-deficient, big-haired feral mutant for both movies, which will be produced by X-stalwarts Lauren Shuler Donner and Marvel's Avi Arad.  
   The hiring of Benioff, who also wrote Spike Lee’s 25th Hour (and the novel on which it was based), continues Marvel’s policy of mixing up relatively unknown screenwriters (X2’s Michael Dougherty and Dan Harris; X3’s Kinberg) with recognized and respected talent. David Self is currently writing Namor The Sub-Mariner, while James Schamus wrote The Hulk. No release date for WOLVERINE has yet been announced..

   A day after announcing plans to film the movie version of his Broadway musical THE PRODUCERS in New York, Mel Brooks is being quoted as saying that he is currently working on the script for a sequel to his 1987 Star Wars spoof SPACEBALLS that he would like to rush into production. When asked about a possible release date Brooks replied: "Best case scenario: a week before the new STAR WARS opens. Worst Case Scenario: a year after the new STAR WARS opens." 
   The new STAR WARS movie, REVENGE OF THE SITH, is due to open on May 19, 2005. Brooks also indicated that he will appear in the SPACEBALLS sequel (although, he said, he won't have a role in THE PRODUCERS). "It wouldn't feel right to have anyone else play Yoghurt, and the first one was the best experience I've had making a movie since BLAZING SADDLES," he said.

   Screenwriter Neal Marshall (THIR13EN GHOSTS) Stevens can’t help but express surprise when asked about his involvement in HELLRAISER: DEADER, the yet-to-be-released seventh entry in the ever-growing franchise. "HELLRAISER: DEADER? Honestly, I was never involved with it," he says. Yes, the film is based on an old Stevens script, but that didn’t have anything to do with Clive Barker’s creation. "Several years ago, I wrote an original spec screenplay called simply DEADER, which had absolutely no connection whatsoever to the HELLRAISER films or mythology," he explains. "Dimension bought it for a pretty substantial sum. It was in development there for a year and a half. They’d brought on a director (commercials veteran Jim Sonzero) at one point and I worked with him on a draft, again with an eye toward it being a [stand-alone] feature. And then, for whatever reason—and it was never made clear, so far as I can tell, to anybody—[studio chief] Bob Weinstein simply went cold on the project and it went into hibernation."
   When DEADER first got shelved, Stevens reveals, "We were trying to get it back from them for a while, but Dimension was neither willing to make the movie nor to put it into turnaround, that is, consider the possibility of having some other studio buy out the project and let us make it somewhere else. Instead, they turned it into a direct-to-video HELLRAISER sequel, with the cost of the screenplay probably being the single most expensive item in the entire budget. Which, believe me, is never the way percentages of screenplay to budget usually lay out."
   Tim Day (HELLRAISER: HELLSEEKER) was the writer who transformed DEADER into a Pinhead vehicle, with Rick Bota (who also helmed HELLSEEKER and the series’ eighth entry, HELLWORLD) directing. Yet Stevens can’t share his thoughts about the finished product: "HELLRAISER: DEADER has been complete for quite some time now, but I haven’t seen it. Dimension hasn’t sent me a screening copy. Last time I heard, and that was simply by way of on-line rumors, it isn’t going to come out until next year—if then. So I’m in the same boat with everybody else in terms of finding out what the end result is."

   Melissa Joan Hart is teaming with screenwriter Dan Gordon (WYATT EARP) to do a live-action version of the manga series, Samurai Girl: Real Bout High School. “The storyboard aspect of manga is already custom-built for film,” said Steve Galloway, TokyoPop's Executive Director of Film/Television. “And with Hart and Gordon attached to this story's fast-moving adventures, we have all the makings of a terrific cinematic package for teens.”
   Writer Dan Gordon describes the script as “a delicious action/comedy mix of CLUELESS meets Crouching Tiger, Hidden Dragon.” It's the story of an ancient Samurai warrior reincarnated as a twenty-something-year-old sushi bar hostess. Ryoko discovers she is mankind's only hope in destroying a coven of murderous wolverines who are hatched every 5,000 years and-if left unchecked-will destroy all humanity.

   Chazz DeMoss of Dead Dog Publishing is going to ensure that "nobody makes it out alive" in his feature film Dead Rising. The creative director, at the moment, is overseeing Dead Dog comic book projects like Night of the Living Dead: Barbara's Zombie Chronicles, The Howling: Curse of the Blood Clan, The Texas Chainsaw Massacre: Dead Skin Mask, and Tom Sullivan's Book of the Dead: Devil Head. DEAD RISING will be DeMoss' first stab at independent cinema; shooting gets underway sometime this month and runs until November with special makeup effects by HHP & Effects.
   Dead Rising concerns a young woman who learns her friends have disappeared in a remote part of a vast national forest. With a search party, she ventures into the woods in hopes to find some signs of life but instead discovers a laboratory where dead cell re-animation research has been taking place. The dead begin to rise all around our heroine just as she realizes it's probably a good idea to high-tail it back to civilization. Look for Dead Rising to surface in spring of 2005.

   Though the 80’s cartoon series He-Man and the Masters of the Universe was already turned into a live-action film in 1987, with Dolph Lundgren as He-Man, Hollywood clearly feels that enough water has passed under the bridge as it was announced that John Woo will both produce and direct another live-action version.
   Adam Rifkin will write the script for the movie, which Woo will probably direct after his next movie, videogame actioner Spy-Hunter. There’s no word yet on the scale of the movie, or the plot (the Lundgren version brought He-Man to Earth for fun and frolics) or which Masters alumni will appear. Of course, casting hasn’t yet begun on the project (Chow Yun-fat as Skeletor, anyone?), but pretty much every actor with a six-pack within a hundred-mile radius of Hollywood will be in contention for the role.

   Jan de Bont will direct MEG, the long-in-development film based on Steve Alten’s novel about a Carcharodon megalodon, a prehistoric version of the Great White some 70 feet in length, that has managed to survive to the present day… and now it’s come to the surface and is looking for food. Human-shaped food. Lots of human-shaped food. De Bont, whose last feature was LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, previously dealt with watery thrills in SPEED 2: CRUISE CONTROL. honcho Nick Nunziata will co-produce the movie – ripe with the potential for huge set pieces, special effects and gore galore - along with HELLBOY trio Guillermo Del Toro, Lloyd Levin and Larry Gordon, as well as Ken Atchity. It all sounds like a top team of creative talent, and Nunziata becomes only the second movie webmaster to turn his hand to movie producing after AICN’s Harry Knowles. 

   Following the success of the DAWN OF THE DEAD remake, screenwriter James Gunn has his hands full. He is now moving full steam ahead on his directorial debut SLITHER, about an alien plague that takes over a small town. Gunn explains, “It’s a movie in the style of the over-the-top horror films of the ’80s and early ’90s that I love, like BASKET CASE, RE-ANIMATOR, DEAD ALIVE, THE FLY, EVIL DEAD II and so on. It’s nothing like any other movie being made today.”  He also wrote the screenplay for this project. 
   "Everything keeps zooming forward on SLITHER," Gunn said. "If everything goes as planned, we’d like to start shooting next March for a Halloween 2005 release. We’re gearing up, putting money into special effects, etc. Everyone involved in the project is up for making a balls-out horror film that brings back the in-your-face fun and gore effects of the ’80s films. We’re keeping as many of the special effects practical as we possibly can, constantly reminding ourselves of the great craftsmanship of favorite films like John Carpenter’s THE THING. CGI will be used only sparingly. "My partners on the project," he continues, "are Paul Brooks over at Gold Circle Films and Eric Newman, one of the producers of DAWN OF THE DEAD.

   Zooey Deschanel, who plays Trillian in the upcoming film adaptation of Douglas Adams' The Hitchhikers Guide to the Galaxy, has recently wrapped filming on the project and spoke about the movie.
   "It was so much fun to make that movie. We had these seven foot tall alien Vogon puppets. They built four different alien planets, the Heart of Gold set, like the most amazing sets and all the actors were great. I’m making up my own system to control the ship and everything. I have like a one piece suit. I have a couple different costumes but the main one is this sort of aqua one piece suit, sort of like a karate one piece. 
   Is the final product close to the books? "Pretty much everything from the book is included. There’s an added character. Most everything that was changed was Douglas Adams idea to begin with. It was in his hard drive. With each incarnation of that story, there were changes made. Between the radio series and the book and the TV series, there were a lot of different things". 
   Will there be sequels? "I think they’re going to see how the first one does to see if they want to actually do the rest. But yeah, we all [signed] sequel parts of the contract". The Hitchhiker's Guide to the Galaxy is scheduled for release May 6, 2005.

Much Voodoo About Nothing
   Dimension Films' latest Louisiana-set horror film explores the black art of voodoo. I Know What You Did LAST SUMMER’s Jim Gillespie is taking the helm to direct BACKWATER. The list of victims will be fronted by 'Method Man' Clifford Smith (Soul Plane) and Agnes Bruckner, who was seen in the most recent series of 24. Adding to the body count is BULLY's Bijou Phillips, DJ Cotrona and Jonathon Jackson. Filming on BACKWATER begun in New Orleans in early October.
   Jackson said, “It's a suspenseful thriller that has some of the same horror elements, but it's a little less of a genre movie than some of the other stuff they've done.” “It's [set in a] backwater in Louisiana, so it's about this kind of evil that gets released in the swamps of Louisiana, and a few young people have to try to escape and overcome it when it's released.” Jackson said it features more character development than most horror movies afford their future victims. “There's more character-oriented stuff. There's definitely some special effects with the bad guy in the movie, but it's more of a balance between a good, entertaining thriller with horror elements and having a plot and characters and good acting scenes in there.”

Survival Of The Fiennest
   Hollywood seems to have a sneaking suspicion that most people possess the sort of black, twisted sense of humor that secretly enjoys tales of people dying in idiotic and unlikely ways. Winona Ryder and Joseph Fiennes have signed up for the romantic black comedy The Darwin Awards. The title of the film refers to the posthumous Internet awards for people who meet their death due to extreme stupidity, improving the human gene pool by removing themselves from it.
   The main pair will play a forensic detective (Fiennes) and an insurance claims investigator (Ryder) who go on a road trip to create a profile of a potential Darwin awards winner – it’s being described as The X-Files with idiots rather than aliens. It will be directed by Finn Taylor, who also wrote the film, and has a talented supporting cast in the shape of Tim Blake Nelson, Jeffrey Tambor, David Arquette, Alessandro Novola and Emily Mortimer – although it’s likely that at least some of these will swiftly be seen off in all manner of unlikely ways. But enough film news - anyone fancy running with scissors?

Coscarelli Says Bubba Ho-Tep 2 is a Go
   Bubba Ho-Tep writer and director Don Coscarelli says a sequel for the Bruce Campbell and Ossie Davis film is a go:
"My sources say yes. Things are looking quite good. MGM was very happy with the results in the States, the UK's looking very solid, there's a lot of fan interest in it – and Bruce would love to play some more of the old hound dog! So there's a good chance we actually will make that film."
   However don't expect filming to kick off any time soon as Coscarelli has yet to come up with anything other than the title, "There is no story (yet) so we're gonna try and cook up something good…hard to say (when), but as soon as we can."

   Paramount Pictures has signed Ehren Kruger (The Ring, The Ring 2) to write the sci-fi adventure-actioner A Princess of Mars for a likely 2006 release. Paramount-based Alphaville Productions plans to begin shooting in 10-12 months with Kerry Conran (Sky Captain and the World of Tomorrow) directing.
   The project is based on the first book in Edgar Rice Burroughs' 11-book series, John Carter of Mars, which centers on John Carter, a Civil War officer from Virginia who is transported to Mars and finds himself a captive of the savage green men from Thark. Eventually, he rises to become the greatest warrior of all time, marries the beautiful Dejah Thoris, raises a family and embarks on numerous adventures. A previous script for the film had been written by Mark Protosevich (The Cell).

   Shock rocker Marilyn Manson has taken a new film role, playing the Queen of Hearts in a twisted re-make of the classic fairytale Alice in Wonderland. Entitled Living In Neon Dreams, the film also stars Alan Cumming as the King of Hearts, Nia Vardalos, Daryl Hannah, Tim Roth and Jonathan Pryce. The film is described as a modern-day retelling, in which a girl enters a fantasy land after a car accident puts her into a coma. The actors will play multiple roles, appearing in both the real world and the fantasy world.
   Living In Neon Dreams is due to start shooting in November in Germany and South Africa. Manson currently appears in the low-budget indie The Heart Is Deceitful Above All Things from director Asia Argento and its currently making the rounds of the film festival circuit.

   Sam Raimi and producing partner Robert Tapert kyboshed the rumors about a proposed Freddy Vs. Jason Vs. Ash movie, saying clearly, "That won't happen." Raimi elaborated on why he didn't feel it appropriate to bring Ash into the battle royale. "I have great respect for those franchises," Raimi said. "I didn't want to be in a position where I was protecting Ash, the character that I want to eventually make another movie with one day, protecting him and not allowing the director to do what he felt he had to do." Later, Raimi also added, "As fun as that sounded, I think they're in two different worlds, the Evil Dead and Jason/Freddy. Maybe another time, that would be a better combination."
   Regarding Evil Dead 4, Raimi says, "I would actually love to and one day I hope to [make that movie]. I hope sooner rather than later. I really had a lot of fun with them, and I think the audience may now want to see one. Maybe when I’m done with the [third] SPIDER-MAN movie I can get to work on one."

   With the 1974 film It's Alive! Recently arrived on DVD, it only seems appropriate that talk of the remake would surface. Originals screenwriter/filmmaker Larry Cohen tells of the upcoming re-make:
   "I'm going to both write and direct the remake. I want to make it my way, and this is the best way to do it so it will be kept under control. It'll be fun. I haven't directed a picture in about five years, actually, so it will be nice to get back into it. Certainly we'll use CGI, but I expect to use it in a more creative way. I'll keep the creature in the shadows so you won't get a good look at the thing thru most of the picture. And when we pay it off, of course, it will be excellent. But it could hardly be better than some of the shots of it in the original. They were few and far between, but what you did see made it look like it was real."

   Julie Delpy (AN AMERICAN WEREWOLF IN PARIS) will star in Moody Street Pictures' supernatural thriller film The Legend of Lucy Keyes, written and to be directed by John Stimpson. Lucy Keyes is inspired by a legend in central Massachusetts about a family that moves into a rural home where a girl went missing in the woods 250 years earlier.
"A lot of people from this region know about the legend," Massachusetts-based Stimpson said. "There have been unusual experiences involving what people claim to be the ghost of a young girl and her mother. The most amazing and truly chilling aspect of the legend is that local historical records revealing the truth of what happened to little Lucy Keyes were eventually discovered. The unnerving fate of Lucy Keyes and the thought of history repeating itself result in a very suspenseful and gripping story."
   The movie will be produced by Moody Street Pictures' Mark Donadio and Miriam Marcus, as well as J. Todd Harris, president of production at Los Angeles-based Intellectual Properties Worldwide.

30 Days Moves Forward 
   Rob Tapert, who is producing the film adaptation of Steve Niles' supernatural graphic novel 30 Days of Night, said that the author has read the script and was pleased with its faithfulness to the original story. "Steve has read [screenwriter Stuart Beattie's] draft that we just turned in to the studio and thought it was the absolute best representation of the graphic novel," Tapert said in an interview. "So he was incredibly pleased. And right now we're just waiting for the studio to get back to us as to how they want to proceed there."
   30 Days of Night is a vampire story set in the arctic circle, where it remains dark for a month each winter. Tapert is shepherding the project under the banner of Ghost House Pictures, the production company he formed with friend and partner Sam Raimi (Spider-Man). Though the company was formed with the idea of making quality low-budget horror films, Tapert said the exotic setting of 30 Days of Night will likely drive up the cost of production. "Because it was such an expensive process, such an expensive movie to make, all set in the snow, we—Ghost House and our partners at Senator Entertainment—partnered right away with Sony on it, because it was going to be a $50 or $60 or $70 million movie," Tapert said. "We know that they're very excited with having read it. I think we're going to meet in the coming week or so."

   The zombie craze is now officially out of control. HOUSE OF THE DEAD producers Mindfire Entertainment want to do the living dead right with ALL SOULS DAY, a new ghoul picture now shooting in Santa Clarita, CA. Directed by Jeremy Kasten (THE ATTIC EXPEDITIONS) and produced by Mindfire’s Mark Altman (co-writer of FREE ENTERPRISE), ALL SOULS DAY, according to the press release, "is set against the Mexican Day of the Dead, when the dead return to walk the Earth to see their loved ones once more. When a couple of young college kids unintentionally interfere with a small town’s ritual sacrifice, they get into more than they bargained for and must find a way to survive this Dia de los Muertos."
    ALL SOULS DAY features Ellie Cornell (HOUSE OF THE DEAD), Danny Trejo (FROM DUSK TILL DAWN), Laura Harring (MULHOLLAND DR.) and fan fave Jeffrey Combs, alongside soap star Marisa Ramirez, Travis Wester, Nichole Hiltz, Laz Alonso and Mircea Munroe. The zombie hordes come courtesy of Almost Human, TV FX veterans of the recent Frankenstein two-part movie as well as Angel and BUFFY THE VAMPIRE SLAYER. After ALL SOULS DAY wraps, Mindfire has a HOUSE OF THE DEAD sequel set to shoot in LA, sans original helmer Uwe Boll. 

   Omar Naïm, director of the science fiction movie Final Cut, said that the film's futuristic world is not very different from our own. "There's very few [science fiction elements]," Naïm said in an interview. "There's only enough to get the ideas boiling." Final Cut is set in a near future, where parents who can afford it can choose to implant a chip into their children's brains that will record their whole lives, negating the need for memories. 
    Naïm sees the film as part of a new trend in the genre that reaches back to the roots of SF. "I think there's a new wave of science fiction movies like, you can call Being John Malkovich a science fiction movie and Final Cut. It's more intimate, less speculative. Like, 'Let's find a metaphor to talk about now,' which is the way science fiction started. I think the more 'bling bling' science fiction, as I call it, sort of took over for a while, because we found that, 'Wow, we can make anything!' you know? And we sort of lost touch with what science fiction was all about, which is sort of us now and the human condition, with just a small poetic device to get things going." Final Cut opened in theaters Oct. 15.

   Every time Mr. Constantine from the Hellblazer comic books shows up he's puffing on a cancer stick. Well the effects of all that smoking finally shows in the upcoming movie as Keanu Reeves struggles to breathe. Warner Bros. Constantine hits theaters February 11th. Based on the DC/Vertigo comic book Hellblazer and written by Kevin Brodbin, Mark Bomback and Frank Capello, Constantine tells the story of irreverent supernatural detective John Constantine (Reeves), who has literally been to hell and back. When Constantine teams up with skeptical policewoman Angela Dodson (Weisz) to solve the mysterious suicide of her twin sister (also played by Weisz), their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldy events, the two become inextricably involved and seek to find their own peace at whatever cost.

THE FIRST erythropoietic porphyria
   Canadian actor Andrew Jackson will play a 13th-century Viking warrior in a new take on the vampire myth being created by Los Angeles plastic-surgeon- turned-director Jason Todd Ipson. “(Jackson's) going to be playing one of the supporting characters - the primary barbarian coming back from being abroad,” Ipson said of his film The First Vampire. The Jackson-commanded longship returns to Sweden to find “the people are drained of blood, they're dying,” Ipson said. He comes home and dies with his wife as their child is carried off by a vampire. “The audience is in store for a whole bunch of surprises, a lot of twists with regard to the whole vampire legend,” Jackson said. “This is not classic horror. When people watch it, they're going to look upon vampirism as a very real condition.”
   Vampirism, also known as Gunther's disease or congenital erythropoietic porphyria, is a rare condition in which sufferers become hairy and disfigured and, owing to extreme photosensitivity, tend to avoid sunlight. Ipson won't say who's being courted to play the leads but hinted there are some “big British stars” involved. The film is being produced by Beverly Hills-based Asgaard Entertainment.  Production is tentatively set to start in February in Norway and later in another European country yet to be determined.

   Warrington Gillette, who played Jason in FRIDAY THE 13TH PART 2, is returning to the film business with a horror-thriller he’s created called BLOODY SOCIAL, set among the rich and corrupt in Florida’s Palm Beach. Loosely based on true events from Gillette’s life, the story concerns an actor famed for playing a cinematic killer who believes his deceased father was a victim of foul play. When a group of his fans get wind of his suspicions, a series of gory murders begins to claim the guilty parties and the conspiracy. Fangoria’s Michael Gingold is writing the script with Gillette; filming is scheduled for early next year and a Halloween 2005 release is being targeted.

   Jessica Biel co-stars in the upcoming sci-fi action film Stealth, playing a Navy jet fighter pilot who must team with fellow pilots Jamie Foxx and Josh Lucas to bring down a robot airplane after an incident alters its artificial-intelligence programming. “The plane flies on its own,” Biel said. “There's no pilot on the plane. It's got a brain of its own. It can take off and land on its own. But it's supposed to listen to orders.”
   Biel, who next appears in the upcoming sequel film Blade: Trinity, added, “The brain has gotten jumbled... It starts to have its own opinion. And it chooses to survive… So it decides to go off on its own, and it starts to download [practice] missions from the computer,” she said. “But if it carries out the missions against [other] countries, it'd be starting World War III.” Directed by Rob Cohen (XXX), Stealth will be released summer 2005.

   Seems everyone is adapting the story of the Bell Witch all of a sudden. It is a case of a supposed haunting of a Tennessee family which was covered most thoroughly in the book The Bell Witch: An American Haunting by Brent Monahan. 
   Two indie films have recently wrapped based on the Bell Witch stories, and now comes news about a third, albeit this one with a bigger cast and budget. Donald Sutherland, James D’Arcy, Sissy Spacek, and Rachel Hurd-Wood all star in An American Haunting, which is being directed by Courtney Solomon (DUNGEONS & DRAGONS) and begun shooting in Romania at the end of October. Solomon also wrote the screenplay. Ironically the events take place in Tennessee, the movie is called An American Haunting , but it is being filmed in Romania. That’s the magic of movies for you! The basic premise tells the story of an unrelenting demon that torments a teenage girl and her well-to-do parents in Tennessee in the 1800’s.

   When we announced that we were doing it, we could not have had worse press from die-hard horror fans," recalls Andrew Form, producer of last fall’s much-ballyhooed TEXAS CHAINSAW MASSACRE remake. "The reaction was violent. There were a lot of unhappy people out there in the horror world." Luckily for Form, those unhappy people shelled out $28 million on opening weekend alone and over $80 million all told, allowing CHAINSAW to become one of the most profitable films of 2003 and ensuring the franchise’s future. Form and partner Brad Fuller, co-founders of the Platinum Dunes production company, are now overseeing an as-yet-untitled TEXAS CHAINSAW prequel, tentatively set for release at Halloween 2005. While many horror fans came to grudgingly embrace the remake, the prequel may prove even more controversial due to its subject matter: the origins of Leatherface himself.
   "We thought that a lot of people who saw the movie always wondered why he uses a chainsaw," explains Form. "No one really explains it, he just does. We tried to explain a little bit in our version why he wears a mask, but here we’re really going to try to show you how the mask originated, and stuff like that… We’re not going back into his childhood. You’re not going to see him at the prom—you’d be surprised at some of the ideas we heard. This is still a TEXAS CHAINSAW MASSACRE movie; it’s not going to be a family drama where you see how this kid grew up and all that. It still has to be what our last movie was, which was fun and scary and kind of a ride. We still want to do that."
   Production has yet to begin on the CHAINSAW prequel, which retains the remake’s executive producer Michael Bay as well as AMITYVILLE co-screenwriter Sheldon Turner. 

Reckon it’s time for the Hunter
   David Schneider and Drew Daywalt (Stark Raving Mad) have come aboard to write the screenplay adaptation of the supernatural video game Hunter: The Reckoning for director Uwe Boll and producer Shawn Williamson. Boll and Williamson are coming off another game adaptation, BloodRayne, starring Ben Kingsley, Kristanna Loken, Michelle Rodriguez, Michael Madsen and Meat Loaf. Hunter is slated to start preproduction in February in British Columbia.
   Hunter follows a group of men and women who become aware of supernatural monsters preying on humanity and are imbued with special abilities to combat them, the trade paper reported.

   Madonna will head the voice cast of the big-budget computer-animated fantasy movie Arthur, directed by Luc Besson (La Femme Nikita.) Arthur is adapted from a series of children's books written by Besson, who also wrote the screenplay for the movie.
   Arthur centers on a 10-year-old boy who tries to save his grandfather's house from developers by searching for a treasure hidden in the land of the Minimoys, a tiny people living in harmony with nature. Arthur, which is scheduled for a 2006 release, will include some live-action sequences. The 3-D animation is being crafted by French specialist Buf Compagnie. Madonna is understood to be voicing the part of Princess Selenia, a character who travels with Arthur to a mysterious forbidden city where an evil being dwells.

   Screenwriter David Hayter's latest draft of Iron Man has won over New Line Cinema and the studio is immediately going out with it to directors who can get the film up and running by early 2005. This draft of Iron Man is reportedly very Tom Clancy-esque in tone and involves the conflict between Tony Stark and his father Howard over Stark Industries. The armored avenger's origin has been updated from the Vietnam back story used in the comics.
   Iron Man is produced by Avi Arad and Kevin Feige of Marvel Studios, who are currently on the set of Fantastic Four in Vancouver, and Don Murphy of Angryfilms, who is also busy with DreamWorks/Paramount's live-action feature version of The Transformers, which is slated for a summer 2006 release.

   Campbell Scott, Shohreh Aghdashloo and Jennifer Carpenter are joining the cast of Screen Gems and Lakeshore Entertainment's untitled exorcism project. Scott Derrickson is directing the horror thriller that was formerly known as The Exorcism of Anneliese Michel. The movie is based on true events involving the Catholic Church officially recognizing the supposed demonic possession of an 18-year-old German college freshman. The young woman died during her exorcism, and a priest stood trial for causing her death. The script, written by Derrickson and Paul Harris Boardman, unfolds Rashomon-style, with different points of view recounting the events.

   Filmmaker Chris Sivertson talked recently about THE LOST, a film adaptation of Jack Ketchum’s novel that he began directing in late October from his own script. Siverston was the editor of Lucky McKee’s MAY, and created the “Jack and Jill” short film seen therein; McKee is producing the independently financed LOST. Siverston explained:
   “The storyline starts out with this highly disturbed young man named Ray Pye, played by Marc Senter, a great young actor, who kills two women on a whim at a campground…He gets away with it even though the cops always knew that he did it and the bulk of the town knows he was responsible, and four years later he’s just as cocky as ever. He’s got a short-man complex, so to cover it up he wears cowboy boots with crushed beer cans in them, which give him a really bizarre walk, and he likes wearing makeup as well. The cops start really pushing him, trying to get to this kid, and he also has volatile relationships with several young women, and all this leads to him going on a rampage again.”
   While Senter and the other leads are largely unknown, some of the supporting cast have genre experience. "We have Michael Bowen from KILL BILL VOL. 1, who’s playing one of the cops," Sivertson says. "Dee Wallace Stone has a role, and Ruby LaRocca and Erin Brown from SHADOW are two girls who get killed in the beginning. And Jack Ketchum is going to come out to do a cameo as a bartender at the bar where the cops hang out." Troy Watson (SHINER) is providing the makeup FX.

   "We were looking for a very scary movie that’s somewhat based in reality, and that’s how we landed on AMITYVILLE," says Brad Fuller, producer of the upcoming AMITYVILLE HORROR remake, due for release April 15, 2005. "We loved the idea that it was based on a true story." Fuller and partner Andrew Form are no strangers to the horror remake game, having successfully co-produced last year’s controversial revival of THE TEXAS CHAINSAW MASSACRE. However, unlike the revamped CHAINSAW, which many fans deemed unnecessary if not downright sacrilegious, the mediocre AMITYVILLE is a ripe target for an update. The 1979 film, which starred James Brolin and Margot Kidder, follows the story of the Lutzes, a young family who faces menacing horrors after moving into their new Long Island home. Their travails were first captured in a best-selling book by Jay Anson—the main source, according to the producers, for the remake.
   Helmed by first-time feature director Andrew Douglas, the 1975-set AMITYVILLE ignores its cinematic predecessor and goes straight to the source material—the mystery itself. Form, Fuller and screenwriter Scott Kosar (who also penned the CHAINSAW remake), spent hours researching the Amityville story, interviewing many who were involved first-hand with the investigation of the murders that took place in the Lutzes’ home. "We try to give a real reason why [murderer] Ronny DeFeo did the things he did, why George Lutz had this connection to the house," says Form. "In our version, you will see what the evil is."
   The AMITYVILLE remake, which wrapped late October outside Chicago, stars Melissa George (ALIAS) and Ryan Reynolds, the actor formally known as Van Wilder. He will soon be seen in BLADE: TRINITY and an upcoming spinoff based on his BLADE character, Hannibal King. "BLADE really opened a lot of doors for me," admits the actor, looking Brolin-esque in a full beard. 

MINOTAUR gets gored again
   MINOTAUR, the Greek legend-based horror film that survived one financial debacle, has now hit another snag. Studio Babelsberg, the German facility that was to co-finance the film, has undergone restructuring and will no longer be involved. Now the producers of MINOTAUR, which has already received a presold to Lions Gate for U.S. theatrical release, are seeking a new location, with possibilities including Luxembourg, Hungary and South Africa (what, not Greece?). The movie, to be directed and produced by Jonathan English from a Steven McDool/Nick Green script, will star Rupert Evans (HELLBOY) as a young Greek who rebels when he is set to be one of 10 young men and women sacrificed by a palace ruler (Tony Todd) to the title creature.

The Woes of a Writer: The trails and tribulations of the literary Galaxy.
By: Dava Sentz

   As I was growing up, I must have changed my career path a thousand times. When I was about four, I wanted to be a nurse. The idea of healing the sick seemed very heroic at the time. 
   Never mind the fact that needles are scary beyond all reason and the sight of blood makes me weak. I wouldn't have to deal with such things in the medical profession, after all. A few years later, I thought acting to be my true calling. I never had any theatrical or musical ability. But darn it, I was going to light up the silver screen with my natural beauty and innocent grace. 
   At the age of ten, I wanted to be an astronaut. The thought of being able to float weightlessly around in outer space was absolutely thrilling. But, had I'd stopped and connected the amount of math and science involved, I surely would have reconsidered. 
   And, throughout my teen years, I had plans of moving to Pennsylvania for culinary training. I very much enjoyed the notion that I might, one day, be a top-notch pastry chef. I always had so much fun in my high school cooking classes. Yet, while I spent my childhood bouncing from one interest to the next, there was always a hobby that stayed with me through thick and thin, my writing.
   Of course, I never considered this talent a career option. During my youth, I'd always looked upon it as something I did to relax, to have fun, to express myself with. It wasn't until my freshman year of college that I began to change my thinking. It was then that I decided I wanted to be a music journalist, combining my love for music and literature into one creative outlet. I do not regret this choice by any means, but it is not without it's share of heartache.
   As I explore my path down the journalistic highway, I have also branched out into the slightly more challenging genre of fiction writing. Three years ago, I met a woman named Erika on a Lord of the Rings forum. She was looking for a group of writers who were interested in creating a kind of elaborate fan fiction combining the beloved characters of J.R.R. Tolkien with those of her own Elven race. 
   These elves were called the Nenore, spectacular beings of the sea, who lived on a small island kingdom known as Kel-Telpeon. An elvish name meaning "The Silver Flowing", the setting's structure was so grand, so beautiful, that it was almost beyond description and poetic justice. 
   I found myself instantly drawn to her project, and knew I had to be involved. Shortly thereafter, two more writers signed on to the story. Thus, the partnership was formed. But, it would be several months before anything was written down.
   The four of us spent the summer of 2001 devising a cast of characters, worthy of living in Erika's aquatic paradise. I was to create a total of three for this installment. There was the Nenorean healer Thinhithwen, a fiery young maiden, who had just a way with nature, as she did with the sword. I installed certain elements of myself in this character, including a love for horses and a desire to succeed. Thinhithwen mirrors both who I am now, and who I would like to become. Next came the birth of her father, Lord Alagmenelion. He was once a brave and valued soldier of the Nenorean army, who retired his blade for the purpose of marriage and family. By the dawn of our tale, he spends his days alone in his cottage readily nursing the wounds of the needy. Last came the creation of a handsome and boastful young elf by the name of Nefpaurion. An immensely skilled warrior hailing from the Lorien Wood, it is this characters fate to constantly annoy and surprise Thinhithwen with his overly confident personality.
   Once my team and I had our characters developed to our liking, the next step was to come up with a plot. It had to be believable. And, it had to allow these elves of diverse rank and social standing to mingle together as equals. 
   We decided the best way to accomplish this would be for Kel-Telpeon to host an Olympian-style festival. This celebration, (referred to as Loa) takes place every five hundred years. Its purpose is to give elves from all realms of Middle Earth the chance to prove themselves in various types of competition. Among others, these include swordplay, horseback riding, and archery.
   So began our long and challenging journey through the land of Middle Earth. After months of planning and discussion, my partners and I were finally ready to bring our epic to life. And, the results by far surpassed everything we had hoped to achieve in its telling.
   We somehow managed to create, not just fan fiction, but a novel; a novel alive with humor, drama, and healthy dose of painstaking angst.  Perhaps even more satisfying, however, was just how well the four of us merged. 
   We were always on the same page, ever mindful of one another's intentions. Our characters reflected our fellowship, brilliantly fitting together as in the pieces a jigsaw puzzle.  In fact, the project was so flawless, so incredibly fun to write that we decided we could not allow our creativity to fade away. We unanimously decided to extend our story into a trilogy.
   We only just started our second installment in February. Our founder, Erika, was forced to stop working with us for health reasons. But we, the remaining authors, dove into this sequel with the certainty and pride needed to carry her torch. 
   The central story takes us back to Kel-Telpeon. Yet, rather than enjoying the thrills and beauty of Loa, our characters, old and new, find themselves faced with despair, as an upcoming war threatens to enslave their homeland. I can honestly say that this has been the best of our efforts so far. Our abilities as fiction writers have improved a great deal since we first began this adventure. In addition, as the authors continue to grow, so do their characters. I firmly believe that Thinhithwen and her company have matured drastically, reaching their full potential in a way that I never thought possible. 
   It has been a privilege exchanging ideas with these fine, outstanding women. This is why I find myself in a state of hope and worry over the times to come.
   My fellow writers and I continue our dedication to this literary cause. We have a strong need and desire to finish what we started, and feel this is a tale that should be shared and adored by others. Yet, sometimes I wonder if we've been kidding ourselves, if we've been entertaining our own fantasies in a fantasy world. Lately, my feelings have been swaying with the negative. 
   We cannot, after all, live in Middle Earth forever. Issues in our own lives have constantly formed a shield between us, and our creative ambitions. One of my partners has had a baby in the last few months. She stayed with us for a time after the birth. But, since this past summer, her involvement has been scarce. In fact, she has not written us since July. This almost indefinitely means that the fate of our trilogy now lies in the hands of my sole remaining partner and myself. And, while our willingness holds true, our courage as well as our time is on shaky ground. 
   I am not entirely sure that a project of the magnitude can survive with only two authors. And, I don't think that either of us would feel right about bringing in new talent at this stage of the game. As much as it pains me to say it, I'm beginning to lose faith.
   I do not know what the future holds for Kel-Telpeon and it's inhabitants. But, whatever the outcome, I'm proud of what we've done. 
   It has been an incredible ride, and has given me the confidence I'll need to hack it in this profoundly competitive field. If it is fates will to leave this project abandon, than I can walk away with my head held high. But, should we go on I look forward to bringing our brainchild to the open minds of the ICS. 
   May it be as much fun for the readers as it has been for the writers.

Qoutes from a favorite TV show –ANGEL -   Angel, like Buffy the Vampire Slayer, has always featured great writing, with the ability to mix humor with horror.
     From an episode where Angel saves an actress from being hit by a car, and who later rescues her in her home from an attacker, and is witnessed by her as casting no reflection in a mirror.
     Angel: "I'm not what you think..."
     Girl: "You're not? reflection....dark, private office...I guess what I would think is.....VAMPIRE....."
     Angel:  "Then again..."
     Girl: "..which is impossible....Bela Lugosi, Gary Oldman...they're vampires."
     Angel: "Frank Langella was the only performance I believed, but..."
     Girl:  "This is real."
And more, just random favorites….

     Cordelia: They didn't even have cookie-dough-fudge-mint-chip when you were alive. 
     Angel: I want some. Can you get that? 
    Cordelia: It'll go straight to your thighs.

      Angel: [to Spike] Don't you have to go save the world from people like... you.

   Angel: turned into a puppet last night. 
   Nina: Oh... wow... are you okay? 
   Angel: Well, I'm made of felt... and my nose comes off.

[facing an endless unslaught of demons] 
     Gunn: Okay, you take the 30, 000 on the left... 
     Illyria: You're fading. You'll last 10 minutes at best. 
     Gunn: Then let's make it memorable.


Nov 5th       BIRTH     
Cast: Nicole Kidman (Anna), Cameron Bright (The Boy), Lauren Bacall (Eleanor)
Premise: A woman in her 30s (Kidman), living in New York City, is surprised to meet a little 10-year-old boy (Bright) who seems to have a crush on her, who then claims to be the reincarnation of her husband, who died ten years ago.
Nov 10th       SEED OF CHUCKY 
Premise: Following the events of 'Bride of Chucky,' killer dolls Chucky and Tiffany are now faced with the challenge of raising their child, Glen (Boyd), becoming a family of killer dolls. 

Nov 12th       FINDING NEVERLAND  
Cast: Johnny Depp (James Matthew Barrie), Dustin Hoffman (Charles Frohman), Kate Winslet (Sylvia Davies)
Premise: Set in early 1900s London, this is the true story of how Scottish playwright and author James M. Barrie (Depp) struggled with a play called "Peter Pan, or The Boy Who Would Not Grow Up", which was inspired by his friendship with his neighbors, the Davies Brothers, George, Jack, Michael and Peter, whose father had abandoned them, and their dying mother, Sylvia (Winslet). As Barrie found himself becoming a surrogate father to the boys, he was inspired to write a play about a magical place where people never grow up or die or have any worries... a Never-Neverland. 

Cast: Nicolas Cage (Ben Franklin Gates), Justin Bartha (Riley Poole), Sean Bean (Ian Howe), Harvey Keitel, Diane Kruger (Dr. Abigail Chase), Christopher Plummer
Premise: Modern treasure hunters are all searching for the same thing: a massive war chest treasure reportedly hidden by George Washington, Thomas Jefferson, and Benjamin Franklin as funds for the Revolutionary War, using a secret code found in the Constitution which he plans to steal.
Nov 24th        ALEXANDER 
Cast: Colin Farrell (Alexander the Great), Rosario Dawson (Roxanne), Anthony Hopkins (Ptolemy), Angelina Jolie (Olympia), Val Kilmer (Philip, King of Macedonia), Jared Leto (Hephaistion), Jonathan Rhys-Meyers (Cassander)
Premise: Conquering 90% of the known world by the age of 25, Alexander the Great (Farrell) led his armies through sieges and conquests in just eight years. This film will concentrate on those eight years of battles, as well as his relationship with his boyhood friend and battle mate, Hephaistion (Leto). Alexander died young, of illness, at 33. Alexander's conquests paved the way for the spread of Greek culture (facilitating the spread of Christianity centuries later), and removed many of the obstacles that might have prevented the expansion of the Roman Empire. In other words, the world we know today might never have been if not for Alexander's bloody, yet unifying, conquest.
farewellsfarewellsfarewells Good bye farewellsfarewellsfarewells

Ed Kemmer World War II hero and POW, who played the heroic, steel-jawed Cmdr. Buzz Corry on the popular 1950s children's science-fiction television program Space Patrol, has died. He was 84.
Paid $8 per 15 minute episode when he started in 1950, Kemmer went on to an acting career that lasted until 1983. He played in such non-genre films as panama sal, hong kong confidential and the crowded sky. And there were ICS favorites GiaNT FROM THE UNKOWN and earth vs the spider. He later appeared in such T.V. soap operas as the edge of night, the secret storm, as the world turns, somerset and another world. 
An icon from my youth, I will always remember the announcer dramatically intoning at the start of each episode, "High adventure in the wild reaches of space … missions of daring in the name of interplanetary justice. Travel into the future with Buzz Corry … Commander in Chief of … the Space Patrol."

Peggy Ryan, the tap-dancing partner to Donald O'Connor in more than a dozen film musicals and who played Jack Lord's secretary on television's Hawaii Five-O, has died. She was 80.
Among her films with O'Connor were When Johnny Comes Marching Home in 1942, Mister Big in 1943, and Chip Off the Old Block, This Is the Life, The Merry Monahans and Bowery to Broadway in 1944. Her final picture was All Ashore with Mickey Rooney in 1953.

Gil Melle, jazz saxophonist, respected visual artist and pioneering electronic music composer has passed at age 72. His 1970 theme for Night Gallery was the first all-electronic main title for a TV series, and his music for 1971 sci-fi thriller The Andromeda Strain became the first all-synthesizer score for a feature film. 
His music lent itself to sci-fi and horror projects, including orchestral scores for the pilot of The Six Million Dollar Man and the four-hour Frankenstein: The True Story, a cold night’s death, world war III and episodes of kolchak the night stalker. Other projects included THE DELIBERATE STRANGER, THE CASE OF THE HILLSIDE STRANGLER, MY SWEET CHARLIE, THAT CERTAIN SUMMER and early
episodes of  COLOMBO.

Academy Award and Emmy nominated cinematographer Charles F. Wheeler, has died. 
After meeting Walt & Roy Disney on the Polo field, he was offered a job by them as an apprentice cameraman. He honed his skill as a Navy combat photographer in the Pacific during World War II and by 1960 was receiving on screen credit as a camera operator. In 2001 he received the President's Award from the American Society of Cinematographers.
His films include inherit the wind, judgement at nuremberg, it’s a mad, mad, mad, mad world and tora, tora, tora (AA nomination). He also worked on such made 
for T.V. movies as a tree grows in brooklyn, the day the earth moved, red badge of courage, the lindbergh kidnapping case and babe (Emmy nomination). He was 88.
Howard Keel, bass-baritone voiced musical star of Broadway and movies has died. 
He starred with Kathryn Grayson in Show Boat, Lovely to Look At and Kiss Me Kate. He paired with Doris Day in Calamity Jane and with Ann Blyth in Rose Marie and Kismet. He romanced Esther Williams in Pagan Love Song, Texas Carnival and Jupiter's Darling, and he courted Jane Powell in his favorite film, the rousing 1954 Seven Brides for Seven Brothers. 
After a start in musical theater on Broadway in Carousel and Oklahoma, he was lured to Hollywood by MGM and became a hit in his first film ANNIE GET YOUR GUN opposite
Betty Hutton. Some of his non-singing roles were in action films and Westerns such as Waco, Red Tomahawk, The War Wagon and Arizona Bushwhackers. His most remembered T.V. role was as Clayton Farlow on Dallas.
He was 85.

By John Ward

 I am a child of television.
 I guess life would be a lot simpler if that statement were not true, but alas, ‘tis not the case.  I am an aging baby boomer, one of the first generation to grow up with television, one of the first to grow old with the boob tube.  One of the first to nurse at the glass teat.  One of the first to succumb to the brain-numbing waves of the idiot box.
 I know my parents never had it like this.  Their childhoods had no television; instead, they had books, imaginations, and occasionally, the radio.  My mother didn’t have a TV until she married my father and moved out of her parents’ house.  Her parents were TV-free until my grandfather’s congregation bought them a big, clunky Philco as a Christmas present.  (Remember my grandfather?  The nice old Presbyterian minister who took me to my first R-rated movie?  Yeah, that’s the guy.)
 My earliest memories of television are a little hazy, which makes perfect sense when you think about it, because in the olden days B.C. (Before Cable), the television was pretty hazy, too.  Everything for me was black-and-white.  Nobody in the neighborhood had a color TV; those fancy things were for rich people.  I remember my father fiddling with the rabbit ears until he was satisfied that the picture was just the way he wanted it – until my younger brother would come barreling into the room, bumping my dad’s arm, sending the “just right” picture into the ether, and driving my dad into a serious frenzy.
 But when the picture was clear…oh, boy.
 Back then there were exactly three channels on our TV, because there were only three networks.  Life was a lot simpler.  In Blairsville, PA in the early ‘60s, Channel 2 out of Pittsburgh (KDKA, by the way – the first station in the country to air regular radio broadcasts in the ‘30s) carried CBS shows, Channel 4 (also out of Pittsburgh) carried ABC, and piddly little Channel 6 out of Johnstown carried NBC.  I remember the CBS eye.  I remember the NBC peacock sprouting its colorful black-and-white feathers.  ABC didn’t have any snazzy logos like that, but at least they had Batman.  More on him in a minute.
 Early memories?  I can remember watching Captain Kangaroo, with the “Tom Terrific” cartoons.  I remember watching Timmy and Lassie every Sunday night when my grandparents would visit after dinner.  And of course, there was Walt Disney’s Wonderful World of Color.  Those were the only two evening shows I was allowed to watch at the age of 5 or 6.  The thing about Disney was that it always…always ended the show with a commercial for a new, hot Disney movie.  It was the only time I ever saw movie ads on TV back then.
 Bonanza was another popular show around our house.  My mother used to be really into jigsaw puzzles, and I still remember a gigantic 1,500-piece puzzle of the Cartwrights riding on horseback taking up a quarter of our living room for several weeks – the amount of time it took Mom to finish the dang thing.  My all-time favorite Bonanza episode is still the first one I remember: a Christmas show in which Hoss was buffaloed by a bunch of midgets into believing that leprechauns existed.
 Sure, there were plenty of genre shows at the time, but I wasn’t old enough (or smart enough) to watch them.  I mean, what could a 6-year-old possibly glean from The Outer Limits?  No, what I remember most about genre TV in the early ‘60s was that The Flintstones and Jonny Quest were on in prime time.  How cool was that?  Cool enough to send me running to Best Buy when Jonny Quest’s complete prime time run came out on DVD last spring.  These were strong ABC staples, as I recall, right up there with Voyage to the Bottom of the Sea, which I discovered years before I realized there was an earlier film version.  VTTBOTS became something of a monster-of-the-week for me, which as it turned out, didn’t really thrill the show’s true fans.  But it made a wide-eyed 7-year-old sit up and take notice.
 Voyage creator Irwin Allen was a hot property; CBS lured him away to put out a kind of “Swiss Family Robinson in Space.”  What I liked about Lost in Space wasn’t the robot; it wasn’t the nutty monsters, and it certainly wasn’t the god-awful costume design.  No, what I liked about the show was its sneaky way of starting the next episode a week early by tacking on a 2-minute “cliffhanger.”  It worked nearly every time.
 ABC was big in our family; my mother was a Peyton Place junkie, calling her friends all the time about the previous night’s episode, etc, etc.  But ABC also had cool stuff like the back-to-back Green Hornet and Time Tunnel.   My dad and I watched those together.  In hindsight, I wished I’d paid more attention to Hornet, because I didn’t know how big the martial artist who played Kato would become.  (If you don’t know whom I’m talking about…well, are you ever reading the wrong newsletter.)  I just thought The Green Hornet was a cheap Batman knock-off.
 Which brings me around to one of my two favorite shows of the ‘60s, the other being the original Star Trek, which I’ve discussed in this space before.  (Notice how I insist on sneaking in the word original?)  Batman was an eye-opening experience to a generation who just started out being weaned on The Flintstones, Underdog, and other Saturday morning sundries.  This was a live action cartoon, folks!  I had only recently started reading superhero comics, and here I had one in the flesh, twice a week – same Bat-time, same Bat-channel.
 Batman was “it” for me.  I loved the villains, I loved the action, I sort of loved the gorgeous molls (although I didn’t really know why at the time), I loved the outrageous sound effects, I loved the corny dialogue (“Holy Popsicle, Batman!”), I loved that it had the best cliffhangers running.  It was one of those shows I knew instinctively was in color, despite our black-and-white set, because it just seemed to pop out at you.  Every guy in my 3rd-grade class watched the show.  When my Pop-Pop ran the BATMAN feature film at his theater, I got all my buddies in for free and was treated like royalty for a week.
 But I discovered that all good things eventually come to an end.  By its third season, Batman had gone to 3 nights a week; the villains were laughable, some not even in costume; Yvonne Craig was brought in to sex things up as Batgirl; and worst of all, they started doing away with the cliffhangers.  Batman actually ran single-episode stories.  I actually gave up on the show before it was mercifully cancelled.  Now I can look back at those shows and see them for the campfests they were, and I wonder what I saw in them.  
 ABC still had its hooks in me.  In the family, actually.  After my folks split and we moved away, I started watching my younger brothers on nights when my mother worked late, because she couldn’t afford to pay a babysitter.  (No sweat, folks…I was 13 by this point and knew how to dial 911.)  I was an ABC junkie on Friday nights, running the distance from The Brady Bunch to The Partridge Family to Room 222 to The Odd Couple to Love American Style.  I actually held out for Love American Style at 10 because it was the closest thing to televised smut I could find.  (Hey, I was 13.  What do you think was going through my mind, anyway?  Whether or not Felix and Oscar would ever agree on anything?)
 It was around this time that my mother started letting me stay up as late as I wanted on Friday and Saturday nights to watch the late show.  In western Pennsylvania in the early ‘70s, that meant Chiller Theatre on Channel 11 out of Pittsburgh.  Chiller Theatre was hosted by a guy named Bill Cardille, affectionately nicknamed “Chilly Billy.”  He was the station’s go-to guy for most studio hosting jobs, like Bowling for Dollars and Superstar Wrestling.  But his true claim to fame was as the host of Chiller Theatre.
 This guy had horror chops.  He had a cameo in George Romero’s original Night of the Living Dead as a TV interviewer out in the field, and his daughter Lori Cardille played the heroine in Romero’s second sequel, Day of the Dead.  Cardille ran two horror movies or sci-fi movies back-to-back after the late news on Saturday nights, with the help of his laboratory assistants.  I forget the hunchback’s name, but the statuesque redhead was named Terminal Stare.  (No, really.)  The movies were usually uncut, because no one at the station really paid attention, and none of us were complaining, that’s for sure.  I was a bleary-eyed mess most Sunday mornings before church, but it was worth it.
 What genre delights were to be had in my teen years?  Well, there was Kolchak the Night Stalker, for a short but memorable run.  There was Night Gallery, which I never missed.  There was Planet of the Apes.  There was Dark Shadows in the daytime.  Wait a minute…I think I’m getting out of order here…I used to come home from elementary school to watch Barnabas!
 I think the point here is that I’ve watched so much television in my lifetime that I can no longer keep the memories in any kind of chronological order – a shameful admission, but true.  Other primetime “must-sees” of the period included M*A*S*H, All in the Family, Happy Days, The Six Million Dollar Man, and even Rich Man Poor Man, the first TV miniseries.
 Then came college, and my tastes changed again. TV was harder to come by in the dorms.  We didn’t have one in our rooms, and the sole TV in the viewing room downstairs was constantly being watched.  Your best bet was to hope that the guy already sitting in the room wanted to watch the same shows you did.
 That wasn’t hard with a show like WKRP in Cincinnati.  This was a very underrated sitcom, with one of the funniest ensemble casts on TV.  I still have my two favorite episodes copied on VHS: the softball game against a rival radio station, and the legendary Thanksgiving episode, in which station manager Carlson attempts a publicity stunt by dropping live turkeys from a helicopter (“As God is my witness, I thought turkeys could fly.”)  Yes, WKRP was a funny show, but it still found time to flex its dramatic muscles; its episode devoted to the infamous Who Concert tragedy was a highlight.
 On into the ‘80s, and genre TV product had pretty much fallen below my radar.  I wasn’t interested in junk like Battlestar Galactica, Buck Rogers, or the soon-to-be-revived Star Trek franchise.  My viewing habits were about to change again, in a way that exists to this day.  Hill Street Blues was the show most responsible for this change.  It was a gritty cop thriller, a wonderful ensemble show, and a wealth of sizzling stories and interesting characters.  It set the stage for the archetype of hour-long dramas I embraced:  strong acting, stories that continue from one week to the next, and endings that didn’t always show that the good guys won.  St. Elsewhere followed Hill Street, and rapidly became my show of choice.  It was quirkier, with great acting (Denzel Washington’s breakthrough), and it wasn’t afraid to take risks.  I still recall the dream sequence with ZZ Top in the operating room.
 At this point, I should also confess that I went for nighttime soaps, too:  Dallas, Dynasty, Falcon Crest, Knots Landing… the list was nearly endless.  I stayed with Dallas longer than the others, for reasons that escape me.  The Ewings were bigger than life, and so were their stories.  I think it was my weakness for nighttime soaps that kept me from ever teasing other folks who went for daytime soaps; one word from me, and I would have been branded a hypocrite for sure.
 There was one other hour-long drama that I thought never really got the recognition it deserved:  Wiseguy.    I used to go over to my wife’s apartment when we were dating and watch Wiseguy on Wednesday nights.  I stayed awake, drawn in by the show’s powerhouse guest actors (Kevin Spacey, Ray Sharkey, even Jerry Lewis) and its storylines that worked out over 7- and 8-week arcs.  Terri often fell asleep.
 I have to confess that most of the shows I’ve grown to love over the past dozen years or so have two things in common:  they’re all hour-long dramas, and they’re all on after my wife has gone to bed.  Let me tell you, that’s a dangerous time.  There’s no one around to keep me from falling asleep in the easy chair while I’m watching one of my favorite shows, no matter how exciting it is.  Let’s face it, if I’m tired, I’m not long for conscious thought.  One minute I’m watching Dennis Franz bulldoze a murder suspect, the next I’m waking up with a stiff neck at two in the morning, a thin line of drool hanging from my bottom lip.  That’s not a pretty sight.  It’s also not one with which I’d care to end this column.
 Instead, it’s nice to run down that roll call of shows I mentioned as being my favorites over the past dozen years or so.  Not many genre picks in the bunch; I’ve never been much for shows like Babylon 5 or Farscape or Buffy or even Smallville.  They’re all quality shows, but I’ve always found it hard to jump into a show after it’s already found its footing.  I like to be there from the beginning.
 That’s why the shows I remember with the greatest fondness are the ones I’ve stayed with the longest:  NYPD Blue, L.A. Law, Law and Order, E.R., Chicago Hope, The X-Files, The West Wing, 24, and now Lost, the latest entry in the hit parade.  I never miss an episode.
 Life is like that, in a way.
 No one ever wants to miss an episode.

ICS CALENDER –the Month in review!

Nov 5th         BIRTH     

Nov 10th       SEED OF CHUCKY 

Nov 12th       FINDING NEVERLAND  


Nov 20th      ICS MEETING    and its not the LAST Saturday !!!
 Our next meeting will be held on Saturday November 20th at 5:30 P.M. 
 John Weber will give us a presentation on the movie original THE MOST DANGEROUS GAME.   

Nov 24th       ALEXANDER 

Nov 25th         HAPPY THANKSGIVING!!!!